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Ida Kvetny is an interdisciplinary artist based in Copenhagen, whose practice operates across painting, sculpture, relief, installation, and extended XR-based formats. Working at the intersection of classical art traditions and emerging technologies, she integrates AI, AR, VR, and digital modeling as structural components of her artistic language.

Kvetny’s works unfold as hybrid environments, where physical and virtual elements coexist and inform one another. Digital processes are not treated as tools, but as material conditions, shaping form, perception, and narrative. Through digital twins, spatial imaging, and layered surfaces in paint, clay, plaster, and textiles, her practice explores how artworks can exist simultaneously across media, time, and scale.

Central to her work is an interest in intuition, embodiment, and the unconscious as generative forces. Drawing on speculative thinking and cyberfeminist perspectives, Kvetny constructs installations and sculptural systems that resist fixed interpretation. Her works often function as open structures, inviting viewers to move between sensory experience, historical reference, and digital presence.

Kvetny’s practice is both research-based and experiential, engaging with questions of authorship, technology, and memory. Her works are conceived to operate within exhibition spaces as well as public and institutional contexts, where they can adapt to architecture, audience interaction, and long-term presentation.

Her work has recently been shown at Centre Pompidou Málaga in the exhibition Future Fossils, and she is currently engaged in several large-scale, site-specific public art commissions. Alongside her artistic practice, Kvetny develops long-term digital and museological strategies, exploring how contemporary artworks can be archived, activated, and reinterpreted over time.